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Press

Monopol: "Was mit und nach der Sprache kommt" (Stefanie Heinze)

Monopol: "Leni Riefenstahl und die Kunst Wir knicken immer noch vor ihr ein" (Yael Bartana)

Monopol: "Neuer Kunstverein 47m in Leipzig 'Wir wollen Positionen zeigen, die Reibung erzeugen' " (Yael Bartana)

Interview Magazine: "Is Being an Artist a Kink?: Jack O’Brien, in Conversation With Tarek Lakhrissi"

THE FACE: "The radical (and very chic) artists to see at Art Basel Paris" (Jack O’Brien)

émergent magazine: "Art Basel Paris, 2024 émergent selects" (Jack O’Brien)

émergent magazine: "Jack O’Brien at Camden Art Centre"

artdaily: " Capitain Petzel now representing Jack O’Brien"

ocula: "Six Standout Works by Women at Art Basel Paris 2024" (Andrea Bowers)

artline: "Yael Bartana, Two Minutes to Midnight: Versuchsanordung für eine andere Politik"

GalleriesNow: "Mikołaj Sobczak: Le Boudoir de L‘Amour"

Frieze: "Jack O’Brien’s Charged Objects"

émergent magazine: "Interview with Jack O’Brien"

Camera Austria: "Archiv Peter Piller: Transferfenster. Das Schalke Museum im Kunstmuseum Gelsenkirchen"

Art Magazine: "Süchtig nach Kobaltblau" (Amy Sillman

émergent magazine: "Interview with Alexandra Metcalf"

Flash Art: "Jack O’Brien – Glory Whole"

Berlin Art Link: "Monica Bonvicini"

Kunstforum International: "Yael Bartana. Utopia Now!"

Kunstforum International: "Das Potenzial des Textilen in Skulptur und Architektur" (Yael Bartana)

The New Yorker: "An Artist Flowering in Her Nineties" (Isabella Ducrot)

ArtReview: "Yael Bartana: Overcoming the Future"

Flash Art: “Alexandra Metcalf: 1st Edition”

The Art Newspaper: "Art is on the curriculum at The Campus, a former school in upstate New York transformed by six galleries" (Andrea Bowers)

THE BROOKLYN RAIL: "Malcolm Morley: Painting as Model"

Artnet: "Wet Paint in the Wild: Artist Alexandra Metcalf Gallery-Hops Her Way Through London"

Glean Magazine: "Mikołaj Sobczak"

artmagazine: "Sweet Sixteen: (Un)happy birthday"

Artforum: "Christopher Williams at Neubauer Collegium for Culture and Society, Chicago"

PLASTER: "Spiralling with Alexandra Metcalf"

Tagesspiegel: "Interview mit der Künstlerin Yael Bartana"

Süddeutsche Zeitung: "Bergbau im Reliquienschrein" (Peter Piller)

TAGESSPIEGEL: "Eine Arche Noah für Venedig: Große Kunst aus Glas bei der 60. Biennale" (Monica Bonvicini)

Spike Art Magazine: "Yael Bartana: “The Idea of Utopia in the Wrong Hands Can Be Very Dangerous”

Gallery Weekend Berlin: "Gallery Portrait: Capitain Petzel"

AnOther Magazine: This Haunting New Exhibition Explores Girlhood and Hysteria

PAPER Magazine: "Stefanie Heinze Interviews Stefanie Heinze (Again)"

Texte zur Kunst: "KONZERNE UND SPINNWEBEN" (Sarah Morris)

taz: "Ein bisschen Trost gibt’s doch" (Yael Bartana)

aartnet: "Artist-Activist Andrea Bowers on Her Unlikely New Collaborator"

Berliner Zeitung: Diese Ausstellungen sollte man beim 20. Gallery Weekend Berlin nicht verpassen! (Xie Nanxing)

ArtReview: "Delinquent Bodies, Non-Specific Objects"

Forbes: "Venice Art Biennale 2024: 8 Must-See Pavilions"

Monopol: "Rundgang zum Gallery Weekend Berlin Wohin in Mitte?" (Xie Nanxing)

Artsy: "8 MUST-SEE SHOWS AT BERLIN GALLERY WEEKEND 2024" (Xie Nanxing)

The New York Times: "At the Venice Biennale, the German Pavilion Undergoes a Transformation"

Süddeutsche Zeitung: "Wir Heimatlosen"

Tagesspiegel: "Ein Raumschiff landet in Venedig"

ARTnews: "A Creepy, Entrancing German Pavilion Is This Venice Biennale’s Big Hit"

THE ART NEWSPAPER: "Venice Biennale 2024: the must-see pavilions in the Giardini"

Monopol: "Das Raumschiff ist gelandet"

Der Spiegel: "Apocalypse Wow"

Die Zeit: "Yael Bartana: Raumschiffkapitänin"

Hyde Park Herald: Archival remains and ‘rudderless curiosity’ with Christopher Williams at Neubauer

Der Bund: "Sarah Morris friert den Rausch der Grossstadt ein"

Das Wetter: "Aus der Betonnische"

Spike Art Magazine: "There Is Something Odd…” at Christine König Galerie"

Welt: "Mehr Schwerkraft für die Kunst"

PRESTIGE: "Fragmented Narratives: Artist Sarah Morris Tackles Hong Kong With Her Latest Film, ETC"

Whitewall: "Andrea Bowers and Ruinart Debut Conversations with Nature for Frieze LA"

Wallpaper: 'Andrea Bowers’ sculptural chandelier for Ruinart reflects a shared commitment to environmental conservation'

Hyperallergic: "Maria Lassnig’s Triumphant 'Little Films' "

artnet: "A Biopic of Painter Maria Lassnig Will Have Its World Premiere at the Berlinale"

Berlin Art Link: "Challenging Bodily Norms in ‘Non-Specific Objects’"

Frankfurter Allgemeine Zeitung: "Sehnsuchtsvoll nach Südosten geschaut"

Frankfurter Rundschau: "Maria Lassnig n der Neuen Nationalgalerie Berlin – Ihre bösen Bilder"

Monopol: "Dior und die Künstlerinnen Mehr als nur Couture-Kulisse" (Isabella Ducrot)

Artnet: "See the 93-Year-Old Textile Artist Isabella Ducrot’s Monumental Scenography for Dior Couture"

WELT: "Alle schauen jetzt auf Deutschland" (Yael Bartana)

Tagesspiegel: "Coup für deutschen Pavillon in Venedig: Yael Bartana und Ersan Mondtag sollen die Biennale rocken"

FAZ: "Stahl und Glas in Manhattan" (Sarah Morris)

Libération: "Rétro 2023 : écologie, politisation, peinture animalière..., le monde de l’art sort du cadre" (Sean Landers)

Berliner Zeitung: "Maria Lassnigs „Knödel, Farbhaufen“ und ein mehr als nur moralisches Angebot"

Frieze: "Leyla Yenirce’s Frenetic Paintings of Female Fighters"

Artnet: "Stefanie Heinze Paints Richly Ambiguous Worlds. Collectors Are Obsessed"

Spike Art Magazine: "(Get) READY/ UNREADY (WithMe)"

Libération: "Sean Landers, tartan roi de la jungle"

Blue Chip: "Familiar Dysphoria" (Austin Martin White)

Art in America: "In Berlin, Autumn’s Art Shows Usher in an Anxious Changing of the Seasons" (Ragen Moss)